Richmond
Victoria
Nelson
Who am I thought I might sayin Barkerville
I mark my time in sluice
Might say
Nomad slow unreadable
Yet repeatable.
FW
Canada
Full or parsed moon with tearsOne hundred years ago
Twenty eight villages homes
Elegance in tune
How you landed where
Scattered ashes orbit
FW
His uniform representsThe Eye of the whale
This is a secret
Charley's from Kamloops
Charley's going to Foo Let's village
A little money for the family there
FW
Everywhere and Nowhere
Lillooet could sound like jadeYour cousin was a cook
Nor does the Queen look Chinese
FW
Pacific Rim
Truck farm inchBy inch the earth
Stuff of life itself
You only get the seed
If you buy
The Fertilizer
FW
In nineteen forties winterA farmer's future
Sitting on a hill remember
FW
Vancouver
Now and then Yangs CuisineAnd won't forget the Iron Wok
Never seen no Blue Ginger
Down at the Chinatown market
And Shanghai City's really far away
But Saigon Kitchen's further
from the coal
FW
MADE IN CHINA
I needed a son, so I had to get a wife.
Who is he, this uncle
All smiles, suit, and tie
Coming through the front door of the café,
eyeing Foo Let behind the counter,
shaking his hand?
Never seen him before.
Not in any café in Trail or Nelson.
They laugh and talk Chinese as Foo Let grabs a coffee
then steers him to a booth near the back.
They deal.
There are papers and money on the table.
Foo Let signs something and then licks an envelope.
They go into the kitchen
loud talking and laughter behind the swinging doors.
Can this be the infamous Charley Chim Chong Say Wong Liu Chung
He is a China
Even over here
Full of his own China-ness
Minding his own business
And busy he is
Back and forth
Whose center cannot hold the mind
Just when he thought he knew his heart
The world huffed!
It’s a trick
Still China after all
He turns around
Goes back to village
Pacific Ocean’s the real boss
He’s China to the root
The sons are mortgaged
To the future’s money
Though
Charley’s from Kamloops.
Charley’s going back to China.
But only once.
Charley’s going to get a wife.
Charley’s going to Foo Let’s village
A little money for the family there.
Then Charley buys some jade in Hong Kong.
Charley comes back in a year.
China is so far away.
GATES
The gates to the kitchen are the same gates inside out. Any waitress worth her tips knows it. If you lift someone else’s tip when you’re cleaning tables, you’ll get the gate.
Look out! Coming through! You mucka hi! Hinges sprung, springing.
In mah-jong the Chief casts two dice to open the gate. When the Kampus Kings play Playmor Junction at New Years, we split the gate and then cut out past Beasley Bluffs along the snow-blown roads back to town. Slip and slide through the gate of another year. Gung hey fa choy!
They swing and they turn, gate of to and gate of from, entrance and exit, the flow, the discharge, the access, the egress, the Mountains of the Blest, the winds of ch’i, mouth of Yin and eye of Yang,
The Liver, the Stomach, the core and the surface, the rock and the lake. These are the gates and you can either kick them open or walk through in silence. Same dif.
All dressed up and clean-shaven with no where to go, a troublemaker, that one, a yellow peril, an Amor de Cosmos Pariah, a Celestial, a John A. Macdonald mongrel, an Onderdonk question mark, a Royal Commission cuckoo, an Asiatic Exclusion League problem, a huckster, a leper, a depraved opium addict, a slant-eyed devil, a Mongolian, a heathen, bone-scraping ghoul, a pest, a wanton cyprian, a chinkie-chinkie Chinaman, a nignog, an Ishmaelite, a cooley, a yellow belly — just another hungry ghost, just another last spike.
That head tax’s just a rusty nail
Not the apple of John A’s greedy eye
But that brown nail’s been here forever
The real last spike is yet to be driven.
Now and then Yang's Cuisine
And won’t forget the Iron Wok
Never seen no Blue Ginger
Down at the Chinatown market
And Shanghai City’s really far away
But Saigon Kitchen’s further from the coal